Fragments
Fragments is often seen as a deficiency, a flaw in a system. We are conditioned to perceive the lack of something—whether in an object, an artwork, or even within ourselves—as a negative state. But what if absence is not a limitation, but an essential condition for wholeness?
Just as silence is defined by the absence of sound and darkness by the absence of light, “Absence” challenges the notion that presence alone determines completion. Instead, puts the proposition that it is precisely the lack of something that allows a system—whether an artwork or a person—to be whole.
Through cutout works that rely on negative space , what is removed is not a void but an active element shaping perception and meaning.
By eliminating entire sections of form ,The cutouts become open structures that require viewer engagement and perception to finalize their meaning highlighting how our minds instinctively fills in the gaps participating in the creation of the work through memory and perception.
In Absence, what is missing is just as significant as what remains where meaning is found in spite of the unseen and lack is a prerequisite to wholeness.

Acrylic on wood - 115_112 cm

Acrylic on wood - 115_112 cm

Acrylic on wood - 115_112 cm

Acrylic on wood - 115_112 cm

Acrylic on wood - 115_112 cm

Acrylic on wood - 115_112 cm

Acrylic on wood - 115_112 cm

Acrylic on wood - 115_112 cm